What pattern do we imprint into other beings?
A room installation opening the uncertainties emerging from the parental experience.
The subject of the matrix (imprint) was the key to the visual transformation of the space – I created four original linocut patterns which were transferred directly to the walls. The repetitive patterns helped inhabit the space which became a room. The optic division of the space referred to the distance between two close people who share the room. They have access to each other but they keep communicating through a particular membrane of their own limits. The room was facing a short video confronting us with the fatality of both the deliberate and unintentional interventions we make as parents. Its text-based passage offered the viewer a fragmented insight in such family environment where the ones we collide with is mostly ourselves.
The subject of the matrix (imprint) was the key to the visual transformation of the space – I created four original linocut patterns which were transferred directly to the walls. The repetitive patterns helped inhabit the space which became a room. The optic division of the space referred to the distance between two close people who share the room. They have access to each other but they keep communicating through a particular membrane of their own limits. The room was facing a short video confronting us with the fatality of both the deliberate and unintentional interventions we make as parents. Its text-based passage offered the viewer a fragmented insight in such family environment where the ones we collide with is mostly ourselves.
exhibition at M1 Gallery, Academy of Fine Arts, Prague, 2020